Cinematography lenses from ZEISS have helped to create distinctive images in many famous movies, e.g. ... A fun prime lens for purists is the Zeiss 21mm f/2.8 Milvus. Tell Us Who You Are Sign Up. In part 2 of our review of best lenses for the Olympus OM-D E-M1 II (Olympus E-M1 II), we’re looking at the performance of zoom lenses. ZEISS Supreme Prime Radiance Lenses More information ZEISS Consumer Products ZEISS Consumer Products combines the company's business with camera and cine lenses, binoculars, spotting scopes and hunting optics. Announced in September 2016, the Sigma 12-24mm f/4 DG HSM A (Sigma 12-24mm f/4 A) is a wide-angle zoom for full-frame DSLRs available in Nikon, Canon, and Sigma lens mounts. Some primes are available at 24mm but the selection is more scarce than at 18mm or 21mm. ZEISS Consumer Products combines the company's business with camera and cine lenses, binoculars, spotting scopes and hunting optics. Announced in September 2016, the Sigma 500mm f/4 DG HSM S (Sigma 500mm f/4) is a super-telephoto prime lens for professional sports, wildlife, and press photographers, and for paparazzi. The Zeiss Milvus 35mm f/1.4 lens is a bright, high-quality optic with smooth bokeh and a very well balanced set of properties. Although being slightly warmer than regular Supreme Primes, they pair very well with them. As you would expect from a high-quality prime lens, the ZEISS Milvus 50mm f/1.4 displays very little in the way of lens anomalies. The Zeiss Milvus 21mm f/2.8 review lens was retail sourced. And, for pure manual operation and high-end optics, there is the NIKKOR 35mm f/1.4, though a better bet today is likely the ZEISS Milvus 35mm f/2 ZF.2 or ZEISS Milvus 35mm f/1.4 ZF.2 Lens. 41. lens. When Zeiss launched the Milvus lineup in 2015 the initial “batch” included six lens, one of which was a 35mm lens. The unit is allocated to the Consumer Markets segment and is represented at sites in Oberkochen and Wetzlar. Both the Zeiss and Sigma have lower levels of distortion and vignetting, but the Nikkor is the brightest of the three, with incredibly high transmission measured at 1.5 TStop wide open. … Shooting on the Go with the ZEISS Milvus. «Lord of the Rings», and have already received three Technical Academy Awards. Zeiss Milvus 2/100M ZE Canon mount lens review: update to the classic Makro-Planar. Among them the well-known ZEISS Compact Prime family, the ZEISS Cinema Zooms and of course the ZEISS Supreme Primes that are becoming ever more popular for feature films, TV shows, commercials and other projects. Zeiss designed the new Milvus primes with sensors up to 50mp in mind which means that there will be absolutely no problem using these on 8K+ sensors for cinema work. Kenko Tokina has announced a new business alliance with Carl Zeiss that will see Kenko Tokina take over sales and repair services for Carl Zeiss products in Japan, including interchangeable photo lenses.. The Zeiss 15mm f/2.8 Milvus Lens and Zeiss 21mm f/2.8 Milvus Lens are excellent alternatives. Personally, I still prefer the all-metal feel and handling of older-generation Zeiss lenses. Experience unique moments of nature in brilliant, bright and high contrast images with ZEISS binoculars and spotting scopes. The 50mm f/1.4 is typical in having a beautifully engineered metal barrel and a full set of weather-seals. Gear: Leica SL2 mirrorless camera with two primes: Sigma 45mm f/2.8 DG DN and Sigma 24mm 1.4 DG HSM Art lens ... Nikon AF-S Nikkor 50mm f/1.4G and his personal favourite the Zeiss Milvus 25mm lens for Nikon F-mount. The Nikon 105mm f/2.8, Nikkor 200mm f/2, Canon's 70-200mm f/2.8 L IS II, I can go on. Zeiss Milvus 1.4/85scores added: SCORE: Zeiss' latest 85mm prime for F and EF mount cameras offers great optical performance across all apertures, and upwards of f/5.6, this hefty lens is pretty much on par with its equally heavy but even bulkier and much more expensive Otus sibling. If you look very closely, the images taken with the Milvus lens look slightly cooler, whereas the Otus earns points for rendering a very natural skin tone. Now Check out the reviews and our extensive lens database. Since this is a focus-by … The Sony FE 100mm F2.8 STF GM OSS is a short-telephoto prime for Sony full-frame mirrorless E-mount cameras such as the high-end a9 and the earlier A7 models. available! ZEISS products have been giving hunters the confidence for any hunting situation. Special seals for protection against dust and splashes expand the photographer's creative potential by guaranteeing the system's functional reliability … A Sigma 50mm f/1.4 that's TACK sharp and affordable, plus Sigma 85mm f/1.4, and a Zeiss Otus line up (with prices not very far from leicas) which give the best ever made 50 and 85 primes. Notice the Sony above is significantly sharper than the Canon, … I don't know if that is the case for Otus, too, but it may be that these lenses are not optimized for f/4. Receive tech news and our latest reviews about your favorite digital products. ... Primes & Zooms. That lens was the Milvus 35mm f/2, but it was largely a repackaging of an existing optical formula (a good one!) Zeiss just announced a new prime lens for full-frame Canon and Nikon DSLRs: The Milvus 25mm F1.4 is very big, very heavy, and should be very high-performing – and we just got our hands on one. ZEISS Milvus Lenses will impress you not only due to their visual and haptic excellence, but also thanks to their inner qualities. Announced in February 2016, the $1099 Sigma 50-100mm f/1.8 DC HSM A (Sigma 50-100mm f/1.8 A) is a fast-aperture telephoto zoom lens for Canon, Nikon, and Sigma APS-C lens mounts. The accessories involved are: MC-21A Remote, MC36A Remote, DG-2 Magnifier, and SD-9 External Power Supply for Speedlights. Impressions by Kadri Koop. More versatile than a fixed focal length prime, ... Two years after the launch of the first lens in its highly-respected Art line, Sigma has finally added a 85mm f/1.4 model. There is no shortage of high-end high-speed lenses in this category; indeed, the top-ten list is littered with them. The Rental Process. The Zeiss Milvus 25mm f/1.4 wideangle prime is exquisitely built, but can a £1999 manual focus prime like this possibly make sense? That’s why we deliberately went without the extremer focal lengths on both ends of the range that the regular Supremes offer. It's a quiet month for instant rebates for Nikon, unlike in previous years. The world of hunting has always held a certain fascination. The differences between these ZEISS Milvus and Otus lenses are truly marginal. We use cookies and similar technologies to recognize your repeat visits and preferences, and analyze traffic. Additionally, Zeiss points out that these lenses are the best in their class, second only to its own top-of-the-line Otus. ZEISS lenses for technical applications assist scientists and engineers in a wide diversity of applications – from quality assurance to satellite optics. All rights reserved. The ZEISS Milvus 50mm f/1.4 in Use. For photography – whether SLR or mirrorless system cameras – millions of photographers put their trust in ZEISS lenses. But Canon has multiple mounts and sensor sizes, so … But the manual focus Milvus 21mm is one of the world’s finest wide-angle primes, replacing the old Distagon series and made in mounts for both Canon EF and Nikon F. Why is the Zeiss Milvus 21mm so exceptional? Tags: hands-on , lens , ppe-2017 , zeiss It, along with the 50mm, tend to makeup the most commonly used focal lengths for those using prime lenses. Short-telephoto primes. Here are a couple of ‘good variance’ wide primes; the Canon 24mm f/1.4L II and the Zeiss Milvus 21mm f/2.8 for comparison. Copyright © 2008-2021 DXOMARK. The optical design is based on Zeiss’s legendary Distagon principles. In this episode, ZEISS Contributor Jem Schofield compares the difference in using zoom and prime focus lenses.FOLLOW US NOW www.zeiss.com/photo/social Camera lenses from ZEISS stand for maximum imaging quality. Here you find information about our customer service, various contact options, product registration, our repair service and the download center. There are improvements in the control of ghosting and flaring throughout the entire focus range and color matching to boot. Andy Westlake finds out. My experience with Zeiss Milvus lenses is that there is a jump in acuity (especially with specular highlights) between f/4 and f/5.6, much more than I expected.