leica 50mm apo vs noctilux
A quick post before departing New York. I'll strongly second the suggestion to rent an M and find out. But unfortunately, the shooting environment did not permit greater control. Leica Noctilux-M 1:0,95/50 MM ASPH. It is OK digital and analog. Leica APO 50mm f/2 Summicron-M ASPH (2016 - current) Leica 50mm f/2 ELCAN-M (1972 - 1974) In devising what to do for this shootout, I settled on the following shooting situations to evaluate. Discussion in 'Leica and Rangefinders' started by simonpg, Mar 28, 2005. I agree ... for the vast majority of street photography that I like, both to do and to see, the lens is stopped down to f/5.6 to f/11 most of the time. Today, I much prefer RF shooting to the modern DSLRs for most situations. A couple of weeks ago - just for fun - I thought it would be a welcomed change to see how different version 50mm Leica M-mount lenses stack up to one another. I respectfully disagree with your respectful disagreement. I am waiting for many many pictures and fantastic one. And it's a lot less expensive. Featuring the 50 Lux-M, 50 Lux-R, and M10, Leica 50mm f/1.4 Summilux SL - First Impressions, Leica 35mm Summicron Version I, II + III, IV, V, VI + 35mm Summilux Version I, II, IV, An Inquiry into Digital versus Film - Featuring the M10 vs M9 vs M6, Leica M10 vs Leica M9 vs Fujifilm S5 Pro - A Comparison of Digital Rendering with Vintage and Modern Lenses, Quick Comparison: Two Generations of Leica 28mm Lenses - Summilux, Summicron, and Elmarit, Leica M10 vs Leica SL vs Canon 5D Mark IV - Comparing Color Rendering, Leica M10 vs Leica SL - Part II - High ISO and Dynamic Range, An Investigation into why the Leica SL isn't an M Camera, Leica M10 vs Leica SL - Part I - Under Normal Use, Anna in New York with the M10 + 28mm f/1.4 Summilux, Leica M10 Review - Part 2 - Low Light + M240 and M9 Comparison, Leica M10 Review - Part 1 - First Impressions, Leica 28mm f/1.4 Summilux ASPH vs Leica 35mm f/2 Summicron ASPH II, The Mathematics of Popularity in the Age of Instagram, Leica 246 Monochrom vs Leica SL Desaturated - Comparing Black and White, Pairing the Leica M246 Monochrome with the 35mm f/2 Summicron ASPH II, Canon 24-105mm f/4L USM II - Testing the Image Stabilization, Leica 21mm f/1.4 Summilux... A Helicopter... Plus a little help from the Canon 16-35mm, Leica SL + 50mm f/1.4 Summilux-M ASPH vs 50mm f/1.4 Summilux-R, Testing Auto Mode on the Leica SL's Autofocus - with the Vario SL 24-90mm, Canon 35mm f/1.4 USM I vs USM II on the Canon 5D Mark IV and 5DSr - Resolving Detail Comparison, A Tale of Adaptation - The Leica SL with R and Canon EF Lens Mounts, Canon 16-35mm f/2.8L USM III - Ultra Wide Zooming in a Crowded City. I feel like I know what to expect, having handled and shot various copies of the original Noctilux lens #11820, made from 1966-1975. Not featureless bokeh, but just the right amount of blur and fall off. In early 2016 I bought a Leica M Monochrom Typ 246. Click through to see how the a1's newly-developed sensor performs. Leica 14289 Digitalkamera 55mm Schwarz - Objektivdeckel (5,5 cm, Schwarz, Digitalkamera, Leica Apo-Summicron-M 90mm f/2.0) Leica 50 mm / 0,95 NOCTILUX-M Objektiv (Leica M-Anschluss) Lens; Leica SL Systemkamera (24 Megapixel, CMOS-Sensor, EyeRes-Sucher, Kontrast-Autofokus, 4K Video, WiFi) inkl. Before I moved to the Leica M9 I did not like 50mm lenses. I'm considering a fast lens to compliment Summicrons and wondered how users compare Noctilux to Summilux performance? It’s been a little more than four years since I bought my Leica Noctilux-M 50/0.95 APSH and it’s time for some evaluation and contemplation. My favourite camera-lens setup is my nikon d810 with zeiss otus 55mm f1.4. STREET SILHOUETTES. The Leica Noctilux 50mm f/0.95 ASPH has a 60mm filter thread and the B+W 60mm XS-Pro Nano-MRC 007 Clear Protector is the perfect filter to use as lens protection. It's also tiny. may be s more meaningful measure of the lens true value. If you're looking for a high-quality camera, you don't need to spend a ton of cash, nor do you need to buy the latest and greatest new product on the market. Because of that, I will not be playing top trump and rank each lens from best to worst. Leica M Typ 240 Leica APO-Summicron-M 50mm f/2 ASPH Leica Macro-Elmar-M 90mm f/4 Fujifilm GF 110mm F2 Nikon D800E If you believe there are incorrect tags, please send us this post using our feedback form . Maybe someday I'll get one of my own instead of a loaner. I love street photography. These are the best clear protectors out there in my opinion, and since they use brass they won’t stick to your lens. Now, if you are still interested in Leica's M system, the obvious thing to refer you to is the Summilux 50 F1.4 ASPH, which is an excellent lens by any measure, though is softer at F1.4 than either the Otus or the Sigma on the D810. Jetzt Leica Noctilux-M 1:1,2/50mm ASPH., schwarz eloxiert im Leica Camera Online Store Deutschland kaufen. To fully appreciate each lens, it was necessary to see how each lens resolved detail at high resolution. Title Author Replies Last Replier Latest Post; Noctilux on non-Leica bodies: 57Andrew 0: 57Andrew 4 months ago VOTE for your Leica and you will help make the POLL interesting! In the end, it's up to you to take the initiative in quenching your curiosity. Now if you ask me for my opinion, most of the lenses in this shootout performed more similarly than differently. But it is to say that older Leica lenses shouldn't be forsaken just because the folks at Wetzlar have stopped producing them. How […] The latest version is DxO PhotoLab 4, and if you're curious about what it does, and how it performs, click through to read our full review. Typical shooting distance stopped down at f/2.8. However, in terms of comparison of the 50mm Summilux and Apo, a direct comparison of both operating on the Leica is what the OP really needs to read (assuming he is interested in this aspect of photography). If we consider one of Leica lenses, Leica 50mm Summicron f/2.0 APO lens, for example, it stands apart from other 50mm lenses in the market for sharpness, lack of distortion, incredible bokeh and, yes, it does come with a hefty price tag for Leica lens quality. It lives on my M240 for weeks on end. Invariably, that meant gathering up as many lenses as possible - thirteen to be precise - so that a good old fashion shootout could be conducted. The Nocti is a very specialist lens, big and heavy for Leica, especially for street photography. So on the basis of that argument, the Leica 50mm f/0.95 Noctilux-M ASPH is the best. Another alternative is the Voigtlander 50 F1.5 ASPH, which isn't as sharp across the frame as the Summilux but is perhaps a touch less veiled wide open. But I find it too heavy and it looks too professional and therefore too noticeable by my subjects, which usually makes them look unnatural. Sensor Comparison of 5 Cameras - the Canon 5D Mark IV, Leica M10, Leica SL, Nikon D850, and Sony A9, Why You Should Photograph Your Everyday Life, The Impact of Social Media in Photography, Choosing between the Nikon D850 + 28mm f/1.4E or the Leica M10 + 28mm f/1.4 Summilux... or any other system, Leica 16-18-21mm f/4 Tri-Elmar - A Super-Wide Lens with Training Wheels, Leica 16-18-21mm f/4 Tri-Elmar - A Preamble on People Photography at Super-Wide Angles, An Hour to Kill - Musing on the Nikon D850 while shooting with the Sony A7r Mark II + 35mm f/2.8 ZA, Revisiting A Shelved Project... and finding a way to finally use it, Zeiss 75mm f/1.5 Biotar - the LEGENDARY Original Version, Why Film Never Died - Featuring the Hasselblad XPan + Pakon F135 Scanner, Los Angeles with Anna - Part III - How I shoot my Leica M10 Stopped Down, Los Angeles with Anna - Part II - Day and Night with the Leica 21mm f/3.4 Super Elmar + APO 50mm f/2 Summicron, Los Angeles with Anna - Part I - Pairing the Leica M10 with the Leica 28mm f/1.4 Summilux + APO 50mm f/2 Summicron, Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends, Tokyo Story - Leica M10 + 21mm f/1.4 Summilux. Leica Noctilux 0.95 Review: Disclaimer and Thanks: I am truly excited to write about this Noctilux. Buy Leica Noctilux-M 50mm f/0.95 ASPH. Dear Leica Photographers... have you considered using a flash? Street photography isn't all about resolution, contrast and background isolation. My favourite camera-lens setup is my nikon d810 with zeiss otus 55mm f1.4. I do appreciate that, to other folks with greater "personal perception" find such characteristics are very important. As time marched along, nothing changed those opinions. What To Photograph - Everything or Just One Subject? Leica M10 + Leica 50mm f/0.95 Noctilux-M ASPH - @ f/2.8, Leica M10 + Leica 50mm f/1.0 Noctilux-M - @ f/2.8, Leica M10 + Leica 50mm f/1.2 Noctilux-M ASPH - @ f/2.8, Leica M10 + Leica 50mm f/1.4 Summilux-M Version I - @ f/2.8, Leica M10 + Leica 50mm f/1.4 Summilux-M Version II - @ f/2.8, Leica M10 + Leica 50mm f/1.4 Summilux-M ASPH - @ f/2.8, Leica M10 + Leica 50mm f/1.5 Summarit-M - @ f/2.8, Leica M10 + Leica 50mm f/2 Summicron-M Version I - @ f/2.8. The Summarit, standard Summicron, and Summilux 50s suit people, portraiture, more average photo needs better in my opinion. Jared Jared Benutzer; Members; 1,260 posts #5; Posted September 22, 2020. wieder erhältlich 2021-01-28 Das 7000-Euro-Objektiv zeichnet offenblendig originalgetreu weicht-verträumt, erst ab F2,8 zeichnet es … First launched in early 2004 under the name Optics Pro, DxO rebranded its raw processor as PhotoLab back in 2017. Accidents may happen, so please let the professional-wannabes take the hit. The 50mm Summilux is a versatile lens and has a great draw for portraits. The price of the new Leica Noctilux-M 50mm f/1.2 ASPH limited edition lens is already sky-rocketing – there are several reports on social media indicating that the lens is selling for almost twice the original price: Dear friends, We have many requests on recently introduced Leica Noctilux-M 50 f/1.2 ASPH (silver chrome finish) lens. There will be many camera based explorations conducted on this site. Subtile Farbunterschiede und feinste Strukturen sind erkennbar. And smooooth clean clear images too. Moreover, it could even be possible that a much older version 50mm Leica lens might be better, given other performance consideration like rendering or overall definition in resolving detail. Both my Color Skopar 35/2.5 and 50/2.5 do amazing work in that range, and cost a fraction of what even the Summarit 50/2.5 does. Das Noctilux-M zeichnet sich durch eine einzigartige Kontrastwiedergabe aus, brillante, scharfe und reflexarme Bilder bei offener Blende sind das Ergebnis. Leica 50mm f/1.4 Summilux-M ASPH - Would I Get A New One Today? First off, I'm not a Leica user, but I'm in the middle of deciding whether to move from my Nikon to Leica. These are the best clear protectors out there in my opinion, and since they use brass they won’t stick to your lens. The first ultra-fast aperture lens from Leica to bear the designation 'Noctilux' was introduced in 1966 and produced until 1975. The objective of this shootout (which I've gone at length not to label as a comparison) is to provide a visual record, under a very narrow spectrum of shooting criteria, in order to offer some concrete observable evidence of how each lens perform relative to one another. It ain't a special purpose lens but it is a special and highly engineered lens for sure. Close shooting distance at f/2 to render bokeh. The 50 APO-M has a busy bokeh for my test, I much prefer the Summilux M Quote; Share this post. Before I continue with this informal evaluation of 50mm Leica lenses, it should be noted for the record that there is no such distinction as being the best. Leica 28mm Summilux: The Perfect Vacation Lens? Sony A7R Mark III + APO Leica 50mm f/2 Summicron-M ASPH - @ f/5.6. I love street photography. Als lichtstärkstes asphärisches Objektiv der Welt übertrifft das Noctilux-M 1:0,95/50 mm ASPH. I recently treated myself to a 1981 Leica Noctilux 50mm f1.0 lens v2. As an aside I wish most manufacturers produced fewer pointlessly fast lenses which are big and heavy and more in the way of F2 and F2.8 primes which are optically excellent. But I find it too heavy and it looks too professional and therefore too noticeable by my subjects, which usually makes them look unnatural. Das Noctilux genannte Leica Objektiv mit Normalbrennweite 50mm ist alles andere als normal. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2500 and recommended the best. But eh? Title Author Replies Last Replier Latest Post; Noctilux on non-Leica bodies: 57Andrew 0: 57Andrew 4 months ago VOTE for your Leica and you will help make the POLL interesting! Die äußerst geringe Schärfentiefe bei offener Blende ermöglicht Aufnahmen von unnachahmlicher Ästhetik und mit einzigartigem Bokeh. Lens (Silver) featuring Leica M-Mount Lens, Aperture Range: f/0.95 to f/16, Two Aspherical Elements, Five Partial Dispersion Glass Elements, Three High Refractive Index Elements, Floating Elements System, Manual Focus Design, Minimum Focus Distance: 3.3', Filter Thread: 60mm, Built-In Extendable Lens Hood. Knowing how different we all are, it's really up to you to figure out which lens is best for you, with the help of the results from this shootout. Mit einer Länge von nur 5,2 Zentimetern und einem Durchmesser von 6,1 Zentimetern fällt das lichtstarke Objektiv äußerst kompakt aus, zum Gewicht macht Leica leider keine Angabe. Cancel Done. Welcome to the forum. It isn't immediately obvious in use right away and then you begin to look at lots of photos taken with it and it socks you between the eyes "bad" and you realise its qualities in terms of resolution, contrast and retention of colour detail that are very impressive by any measure. Focus was also verified by the external EVF. Against that it's expensive and at half the price you can have the Summilux which is likely not to disappoint even the most discerning photographer. Ahhh the APO, I LOVE this lens. So it's possible that the Leica 50mm f/0.95 may not be the best performing lens. Infacts, i need to get rid 1 of the 50mms (may be summilux) and replace by 35mm summilux or 90mm summicron and i need your advice. To summarise, what I'm saying to you here is a couple of things: query your existing lens choices first, look at your technique (and practice if any of the above resonates), make sure there aren't other purposes you might miss a DSLR for and perhaps if you are moving to Leica M anyway, consider some of the excellent alternatives that are perfect for street photography before you jump feet first for one of the most expensive lenses for the system. Leica Noctilux-M 1:1,2/50 Asph. Here is the first set of Leica Noctilux 50mm f/0.95 vs. TTartisan 50mm f/0.95 lens comparisons – focusing was done in live view, photos were not manipulated (SOOC: straight out of the camera) – full resolution available on Flickr: Leica Noctilux 50mm f/0.95 at f/0.95: TTartisan 50mm f/0.95 lens at f/0.95: Leica Noctilux 50mm f/0.95 at f/1.4: The rigid version was used in this shootout. The majority of the M-246 pictures were stopped down landscapes at F5.6. However, this was shot at the 50mm focal length, at the minimum focusing distance. When the Leica 50mm F2 Summicron-M APO was released, it struck me as being grossly overly priced, especially with the Leica 50mm F1.4 Summilux-M ASPH being such a good lens. However, for shooting street photography only, you would be far better off in my view starting out with the Zeiss Planar 50 or non-APO 50 Summicron on a similar logic to the alternatives I've suggested for Nikon F mount above (it has the added benefit of being a bit cheaper). The APO? In terms of the methodology of the shootout, each sample images were shot three or four times, with only the best image published on this blog post. I am waiting for many many pictures and fantastic one. wegen der Offenblende 0.95. Whether you make a living out of taking professional portraits, or are the weekend warrior who knows their way around flashes and reflectors, you'll want a camera with high resolution, exceptional autofocus and a good selection of portrait prime lenses. You might also find that one of Nikon's smaller bodies (Df or D750 ) is lighter if the weight is a big concern. Besides, this is suppose to be a simple post. Der optische Aufbau des Leica Noctilux-M 1:1,2/50 Asph. In addition to my review of the Leica Noctilux 0.95 Asph which you can find here I made a comparison with the Leica Noctilux and the Leica Summilux 50mm Asph. Eine Straßenlampe in der Nacht, die Rücklichter eines Fahrzeugs, das Gesicht eines Kindes bei Kerzenschein oder ein Spot auf der Theaterbühne erscheinen klar und ganz natürlich auf dem Bild. The best description of the Leica 75mm Noctilux, is a 50mm APO on steroids. COPYRIGHT © 2021. The best description of the Leica 75mm Noctilux, is a 50mm APO on steroids. Otherwise you're very likely to make an expensive purchase and hate the camera. If you are doing portraits in street and stuff, I feel the edge fall off from the faster lenses is a better (not to mention, more economical) fit. I switched many years ago but almost gave up in frustration after 4-5 months of my own adjustments. However, what it also has is staggeringly good bokeh. Fine lens especially on the MM. Cancel Done. Leica 75mm f/1.4 Summilux - Wide Open in Sub Optimal Light, Has Digital Technology Ruined Street Photography, 24mm f/1.4 Challenge - Between Leica, Canon, and Nikon, Canon 5D Mark IV + 24-70mm f/2.8 vs Leica SL + 24-90mm f/2.8-4 - Battle of the Prosumer Mid-Zoom Kit, A Photographer's Predicament - Creating Value in a Low Barrier to Entry Environment, The Leica SL - Zone Focusing + Street Photography - Part 2, Canon 5D Mark IV - Sample Images at High ISO + Pushed, The Leica SL - Low Light Dynamic Range - Part 1 Supplement, A Crisis of Purpose in the Age of Instagram, Leica SL + Leica 24-90mm - Being a Tourist, Nikon 105mm f/1.4E - A Tale of Brand Loyalty and Superiority (or my excuse to post more sample images), Nikon Prime Comparison 24/1.4G, 35/1.4G, 58/1.4G, 85/1.4G and 105/1.4E Wide Open, Leica 50mm f/1.2 Noctilux AA - Shot Wide Open - Part 2, The Sony A7r MKII from a Leica M Photographers POV, LEGENDARY: Leica 50mm f/1.2 Noctilux Double Aspherical, An Illustrated Case of the Misguided Photographer Believing his Work is Art, Leica 28mm Summilux - Part 2 - In Bright Daylight and on the Street, Saving Badly Photographed Images in Lightroom and Photoshop, What I can do with a Leica 50mm f/0.95 Noctilux on a Sony A7rII that I cannot do on a Leica M Body. But for the most part, definition of resolved detail appear to be similar between lenses when stopped down and closer to the center. I love street photography. I'm pretty sure I can take good street photos with a compact if I were happy with the compact and the conditions suited it. Indeed this is true ... more good quality pixels for a specific image format will always demonstrate more resolution for any individual lens. Until you figure out what to buy you could use the Otus that you have on the Leica M with an adapter. Also, how about the noctilux? Photos are sharp edge to edge, the luminescence and 'pop' are amazing, almost 3D in quality. Sofort verfügbar schnelle Lieferung versandkostenfrei ab 100 € direkt vom Hersteller So I just wanted to say Thank You to Leica for letting me try it out. I have only shot with it as a loaner and the one thing that grabbed my attention the most was the biting sharpness across the field from centre to edge. But like I said, it all depends on the eye of the beholder. DAS Noctilux ist für mich aber die 50 mm Version, die bereits seit 1966 gebaut wird. Accepting a position on face value without further scrutiny would seem rather hasty - if not a tad too trusting - not that I'm not a trusting person. The Summilux 50 is a beautiful lens, fast enough for most everyone, small and tack sharp. Leica M10 + Leica 50mm f/0.95 Noctilux-M ASPH - closer focusing distance for 75mm equivalent - comparatively, the rendering is not as sharp at the plane of focus, and blurrier in the background. The six bit encoded version was used in this shootout. Without losing any of the perfection. I'd be far more decisive if it's f1.4. I have all three Leica 50's, but if I was getting only one it would certainly not be the Noctilux. You choose them when you know what they're about and want that, which is a little different from the norm of just contrast, sharpness, etc.